"After Five" by Billy Oskay, Mìcheàl O'Domhnail was released on September 14, 1984. The duration of After Five is about 3 minutes long, at 3:10. Based on our data, "After Five" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Nightnoise". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of After Five is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With After Five by Billy Oskay, Mìcheàl O'Domhnail having a テンポ of 177 with a half-time of 88 テンポ and a double-time of 354 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mackenzie Lullaby | Talitha Mackenzie | D Major | 4 | 10B | 131 BPM | ||
Engravings | Ira Stein, Russel Walder | B♭ Minor | 1 | 3A | 84 BPM | ||
In The Court Of The Mermaid | Friedemann | D♭ Minor | 1 | 12A | 131 BPM | ||
Carlsbad | David Lanz, Paul Speer | C Minor | 2 | 5A | 94 BPM | ||
Journey | Andrew White | E Minor | 3 | 9A | 169 BPM | ||
Causeway | Alex de Grassi | F♯ Minor | 2 | 11A | 150 BPM | ||
All Through the Night | Jeff Johnson, Brian Dunning | F♯ Major | 2 | 2B | 79 BPM | ||
On the Way | David Cullen | C Major | 1 | 8B | 147 BPM | ||
Aerial Boundaries | Michael Hedges | G Major | 2 | 9B | 84 BPM | ||
Lost Frontier | Peter Buffett | C Minor | 1 | 5A | 138 BPM |