"GRANADOS: ESCENAS ROMANTICAS: I. MAZURCA" by Alicia de Larrocha was released on August 22, 1992. The duration of GRANADOS: ESCENAS ROMANTICAS: I. MAZURCA is about 3 minutes long, at 3:06. Based on our data, "GRANADOS: ESCENAS ROMANTICAS: I. MAZURCA" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alicia de Larrocha's "Goyescas Etc." album is number 1 out of 26. GRANADOS: ESCENAS ROMANTICAS: I. MAZURCA is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of GRANADOS: ESCENAS ROMANTICAS: I. MAZURCA by Alicia de Larrocha to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Grandes Études de Paganini, S. 141: No. 1 in G Minor | Franz Liszt, Daniil Trifonov | G Minor | 1 | 6A | 78 BPM | ||
Carnaval, Op. 9: 4. Valse noble | Robert Schumann, Alicia de Larrocha | A♭ Major | 0 | 4B | 78 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 2. Adagio | Franz Joseph Haydn, Alfred Brendel | G Major | 1 | 9B | 100 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Allegro moderato) | Franz Schubert, Ingrid Haebler | C Major | 2 | 8B | 124 BPM |