Antonín Dvořák, Stefan Veselka's '8 Humoresques, Op. 101, B. 187: No. 1. Vivace in E-Flat Minor' came out on May 1, 2004. The duration of 8 Humoresques, Op. 101, B. 187: No. 1. Vivace in E-Flat Minor is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. 8 Humoresques, Op. 101, B. 187: No. 1. Vivace in E-Flat Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 26 in Dvorak: Humoresques, Op. 101 / Silhouettes, Op. 8 by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 8 Humoresques, Op. 101, B. 187: No. 1. Vivace in E-Flat Minor is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 8 Humoresques, Op. 101, B. 187: No. 1. Vivace in E-Flat Minor by Antonín Dvořák, Stefan Veselka is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Humoresques, Op. 101, B. 187: VII. Poco lento e grazioso | Antonín Dvořák, Tiffany Poon | B♭ Major | 0 | 6B | 66 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
The Seasons, Op. 37b: III. March, "The Song of the Lark" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 88 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM |