Weihnachtsoratorium, BWV 248: III. Teil - Nr. 30: Rezitativ Evangelist "Und sie kamen eilend und funden beide" - Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg 情報

音響性: 94%
ダンサビリティ: 32%
エネルギー: 3%
手段性: 0%
活気: 5%
ラウドネス: 57%
話し言葉: 10%
価数: 16%
人気: 2%
ラウドネス: -26.037 dB

まとめ

"Weihnachtsoratorium, BWV 248: III. Teil - Nr. 30: Rezitativ Evangelist "Und sie kamen eilend und funden beide"" by Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg was released on June 18, 2021. With Weihnachtsoratorium, BWV 248: III. Teil - Nr. 30: Rezitativ Evangelist "Und sie kamen eilend und funden beide" being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 64 in Bach: Weihnachtsoratorium by Johann Sebastian Bach, Enoch zu Guttenberg, KlangVerwaltung, Chorgemeinschaft Neubeuern, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel. The popularity of Weihnachtsoratorium, BWV 248: III. Teil - Nr. 30: Rezitativ Evangelist "Und sie kamen eilend und funden beide" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Weihnachtsoratorium, BWV 248: III. Teil - Nr. 30: Rezitativ Evangelist "Und sie kamen eilend und funden beide" テンポ

The tempo marking of Weihnachtsoratorium, BWV 248: III. Teil - Nr. 30: Rezitativ Evangelist "Und sie kamen eilend und funden beide" by Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg is Prestissimo (even faster than presto), since this song has a tempo of 234 テンポ. The time signature for this track is 4/4.

Weihnachtsoratorium, BWV 248: III. Teil - Nr. 30: Rezitativ Evangelist "Und sie kamen eilend und funden beide" キー

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	E♭ Major	1	5B	103 BPM
Nocturne No.5 In F Sharp, Op.15 No.2	Frédéric Chopin, Maurizio Pollini	F♯ Major	0	2B	125 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante	Alexander Borodin, Borodin Quartet	A Major	2	11B	74 BPM
Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude	Anonymous , Johann Sebastian Bach, Daxun Zhang	B Minor	1	10A	135 BPM
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai	Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts	A Minor	4	8A	123 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano)	Gustav Mahler, John Gribben, Edward Wolanin	F Major	0	7B	71 BPM
Album Leaf for Kateřina Kolářová in B Major, JB 1:20	Bedřich Smetana, Jitka Čechová	B Major	0	1B	70 BPM
Solfeggio in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Matthias Veit	F Minor	1	4A	77 BPM
Nocturne No. 9 In B, Op. 32 No. 1	Frédéric Chopin, Maurizio Pollini	B Major	0	1B	80 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records