Alicia de Larrocha's 'GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL' came out on August 22, 1992. With this song being about 5 minutes long, at 5:29, "GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL" by Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alicia de Larrocha's "Goyescas Etc." album is number 3 out of 26. In terms of popularity, GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of GRANADOS: GOYESCAS (LOS MAJOS ENAMORADOS) PRIMERA PARTE: III. EL FANDANGO DE CANDIL by Alicia de Larrocha to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No.2, In G Sharp Minor Op.19 "Sonata Fantasy": 2. Presto | Alexander Scriabin, Ivo Pogorelich | A♭ Minor | 1 | 1A | 60 BPM | ||
Piano Sonata No. 13 in A Major, D. 664: I. Allegro moderato | Franz Schubert, Wilhelm Kempff | A Major | 0 | 11B | 104 BPM | ||
Piano Sonata in C, H.XVI No.50: 2. Adagio | Joseph Haydn, Alfred Brendel | D Major | 2 | 10B | 94 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Carnaval, Op. 9: 17. Aveu | Robert Schumann, Alicia de Larrocha | A♭ Major | 0 | 4B | 78 BPM | ||
Romance in F Minor, Op. 5, TH 127 | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | C Major | 2 | 8B | 162 BPM | ||
Saint-Saëns: 6 Études, Op. 52: No. 2, Étude pour l'indépendance des doigts | Camille Saint-Saëns, Bertrand Chamayou | A Minor | 1 | 8A | 182 BPM | ||
Invention in B-Flat Major, "Inventio 14", BWV 785, IJB 841 | Johann Sebastian Bach, Walter Gieseking | B♭ Major | 1 | 6B | 72 BPM | ||
Piano Sonata in D, H.XVI No.37: 1. Allegro con brio | Joseph Haydn, Alfred Brendel | F Minor | 1 | 4A | 117 BPM | ||
6 Moments musicaux, Op.16: No. 5 in D flat, Adagio sostenuto | Sergei Rachmaninoff, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 63 BPM |