"4 Pezzi Sacri: I. Ave Maria" by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly was released on May 10, 2024. With this song being about 5 minutes long, at 4:48, "4 Pezzi Sacri: I. Ave Maria" by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Verdi: 4 Pezzi Sacri: I. Ave Maria only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. 4 Pezzi Sacri: I. Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 4 Pezzi Sacri: I. Ave Maria by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 4 Pezzi Sacri: I. Ave Maria being at 67 テンポ, the half-time would be 34 テンポ with a double-time of 134 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: No. 12, Pastoral Symphony "Pifa" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 83 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 4. Allegro con brio | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | A♭ Major | 4 | 4B | 82 BPM | ||
Ethereal Resonance | LeoRoads | F Major | 1 | 7B | 80 BPM |