Stanisław Moniuszko, Jacek Parol, Jacek Kaspszyk made "Wiec gdy sie rozstaniem, przed slonca switaniem (Zbigniew/Chór/Stefan/Maciej)" available on April 5, 2004. Wiec gdy sie rozstaniem, przed slonca switaniem (Zbigniew/Chór/Stefan/Maciej) appears to be safe for all ages as it is not explicit. The track order of this song in Stanisław Moniuszko, Soloists, Chorus And Orchestra Of The Polish National Opera Warsaw, Jacek Kaspszyk's "Moniuszko - Straszny dwór (The Haunted Manor)" album is number 2 out of 34. Based on our statistics, Wiec gdy sie rozstaniem, przed slonca switaniem (Zbigniew/Chór/Stefan/Maciej)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wiec gdy sie rozstaniem, przed slonca switaniem (Zbigniew/Chór/Stefan/Maciej) by Stanisław Moniuszko, Jacek Parol, Jacek Kaspszyk to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
An die Nachtigall, D. 497 | Franz Schubert, Renée Fleming, Christoph Eschenbach | G Major | 0 | 9B | 91 BPM | ||
Verdi: La Traviata, Act 3 Scene 4: No. 8, Aria "Addio del passato bei sogni ridenti" | Giuseppe Verdi, Maria Callas, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Franco Ghione, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa | A Major | 1 | 11B | 76 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Carmen: Act II: Toreador Song: Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | F Minor | 4 | 4A | 115 BPM | ||
Lucia di Lammermoor / Act 1: Preludio - "Percorrete le spiaggie vicine" | Gaetano Donizetti, Pier Francesco Poli, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Kto tu?...Kto?...Pan brat! (Zbigniew/Stefan) | Stanisław Moniuszko, Anna Lubanska, Jacek Kaspszyk | A♭ Major | 2 | 4B | 122 BPM | ||
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester | B♭ Major | 1 | 6B | 131 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM |