"Romance No. 2 in F Major for Violin and Orchestra, Op. 50" by Ludwig van Beethoven, Karol Teutsch, Orchestre Leopoldinum-wroclaw was released on September 1, 1992. Since Romance No. 2 in F Major for Violin and Orchestra, Op. 50 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karol Teutsch, Orchestre Leopoldinum-wroclaw's "La grande sarabande de Handel" album is number 9 out of 10. In terms of popularity, Romance No. 2 in F Major for Violin and Orchestra, Op. 50 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romance No. 2 in F Major for Violin and Orchestra, Op. 50 by Ludwig van Beethoven, Karol Teutsch, Orchestre Leopoldinum-wroclaw to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Piano Sonata No.8 in C minor, Op.13 -"Pathétique": 1. Grave - Allegro di molto e con brio | Ludwig van Beethoven, YUNDI | G Major | 1 | 9B | 92 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Triple Concerto in C Major, Op. 56: 3. Rondo alla Polacca - Live at Philharmonie, Berlin / 2019 | Ludwig van Beethoven, Anne-Sophie Mutter, Yo-Yo Ma, Daniel Barenboim, West-Eastern Divan Orchestra | C Major | 3 | 8B | 105 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2 No. 1, op. 2/1: III. Menuetto: Allegretto | Ludwig van Beethoven, Solomon | F Minor | 0 | 4A | 175 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM |