"Alexander Nevsky, Op. 78: No. 1, Russia Under the Mongolian Yoke" by Sergei Prokofiev, Utah Symphony Orchestra, Thierry Fischer was released on October 25, 2019. The duration of Alexander Nevsky, Op. 78: No. 1, Russia Under the Mongolian Yoke is about 3 minutes long, at 3:29. Based on our data, "Alexander Nevsky, Op. 78: No. 1, Russia Under the Mongolian Yoke" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Prokofiev: Alexander Nevsky, Op. 78 & Lieutenant Kijé Suite, Op. 60". In this album, this song's track order is #1. Alexander Nevsky, Op. 78: No. 1, Russia Under the Mongolian Yoke is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alexander Nevsky, Op. 78: No. 1, Russia Under the Mongolian Yoke by Sergei Prokofiev, Utah Symphony Orchestra, Thierry Fischer having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM |