"Charpentier: Te Deum in D Major, H 146: I. Prelude" by London Symphony Orchestra, Gordan Nikolitch (Conductor) was released on June 29, 2017. With Charpentier: Te Deum in D Major, H 146: I. Prelude being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 13 in Astrology & Zodiac Music: Leo by London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Charpentier: Te Deum in D Major, H 146: I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charpentier: Te Deum in D Major, H 146: I. Prelude by London Symphony Orchestra, Gordan Nikolitch (Conductor) is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Romance No.2 in F major, Op.50 | Ludwig van Beethoven, David Oistrakh, Eugene Goossens, Royal Philharmonic Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Anakin's Betrayal | John Williams, London Symphony Orchestra | A Minor | 2 | 8A | 139 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb/1: III. Allegro Molto | Joseph Haydn, Lev Markiz, Moscow Chamber Orchestra, Natalia Gutman | E♭ Major | 0 | 5B | 103 BPM | ||
Les Sylphides: 6. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | A Major | 0 | 11B | 138 BPM | ||
Mission | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
Serenade for Strings in C Major, Op. 48: IV. Allegro con spirito | Slovak Philharmonic | D Major | 4 | 10B | 79 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Dirge - This Ae Night | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | A♭ Major | 2 | 4B | 113 BPM | ||
Coppelia: Act II - Valse de la poupee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 87 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM |