Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen's '"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Leite mich in deiner Wahrheit"' came out on February 20, 2007. With "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Leite mich in deiner Wahrheit" being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Ton Koopman's "J.S. Bach: Cantatas Vol. 1" album is number 20 out of 67. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Leite mich in deiner Wahrheit" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Leite mich in deiner Wahrheit" by Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Aria: Es ist vollbracht (Bass) | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 0 | 11B | 73 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chorus. "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | C Minor | 2 | 5A | 111 BPM | ||
Trio-Sonate In C Major, BWV 529: I. Allegro | Ton Koopman | C Major | 3 | 8B | 66 BPM | ||
Johannes-Passion, BWV 245.1: 2. Recitativo: Jesus ging mit seinen Jüngern | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
Biber: Requiem a 15 in A Major: VI. Agnus Dei | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
Mass in D Minor: Kyrie: Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D Major | 2 | 10B | 105 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: IV. Mem | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |