Manuel Ponce, Davide Ficco made "Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i" available on May 16, 2011. Since Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Manuel Ponce, Davide Ficco's "Manuel Maria Ponce - Chamber and Solo Music for Guitar" album is number 2 out of 41. On top of that, Italy appears to be the country where this track was created. The popularity of Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sonata for guitar and harpsichord - allegro moderato, calmo ed espressivo, tempo i by Manuel Ponce, Davide Ficco to be Prestissimo (even faster than presto) because the track has a tempo of 209 テンポ, a half-time of 104テンポ, and a double-time of 418 テンポ. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Estrellita | Manuel Ponce, Arthur Grumiaux, Istvan Hajdu | F♯ Major | 2 | 2B | 187 BPM | ||
Adelita, Mazurka | Philip Hemmo | E Major | 1 | 12B | 93 BPM | ||
Cancion de cuna (Berceuse) | Leo Brouwer, Marco Tamayo | G Major | 0 | 9B | 174 BPM | ||
Intermezzo - Remasterizado | Manuel Ponce, Luis Cobos | E Minor | 1 | 9A | 119 BPM | ||
The Yellow Cake Review, Farewell to Stromness (Excerpt) | Peter Maxwell Davies, Los Angeles Guitar Quartet | D Major | 0 | 10B | 127 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: IV. Sarabande | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 136 BPM | ||
4 Mazurkas : No. 1. Adelita | Norbert Kraft | F♯ Minor | 1 | 11A | 82 BPM | ||
Thème varié et Finale: Molto piu lento | Manuel Ponce, Davide Ficco | B Major | 2 | 1B | 101 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | D Major | 1 | 10B | 121 BPM |