"Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major" by Franz Schubert, David Fray was released on September 11, 2009. Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Schubert: Impromptus, Op. 90 - Moments Musicaux, Op. 94 & Allegretto, D. 915". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major by Franz Schubert, David Fray having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptus, Op. 90, D. 899: Impromptu No. 4 in A-Flat Major | Franz Schubert, Simone Dinnerstein | A♭ Major | 0 | 4B | 66 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Haydn: Keyboard Concerto in F Major, Hob. XVIII:3: I. Allegro | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | C Major | 0 | 8B | 127 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Schubert / Arr. Liszt: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Bertrand Chamayou | F♯ Major | 0 | 2B | 67 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第1曲 さすらい | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | F Major | 1 | 7B | 76 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第15曲 嫉妬と誇り | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Minor | 2 | 6A | 124 BPM |