On 1997, the song "Double-Presto: Partita No. 1, BWV 1002" was released by Mela Tenenbaum. The duration of Double-Presto: Partita No. 1, BWV 1002 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Double-Presto: Partita No. 1, BWV 1002's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 41 in Bach - Sonatas and Partitas for Solo Violin by Mela Tenenbaum. Double-Presto: Partita No. 1, BWV 1002 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Double-Presto: Partita No. 1, BWV 1002 by Mela Tenenbaum is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Sonata No. 28 in A Major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto - Recorded 2021-2 | Ludwig van Beethoven, Maurizio Pollini | A Major | 0 | 11B | 167 BPM | ||
Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 4. Allegro assai | Giuseppe Tartini, David Garrett, Alexander Markovich | G Minor | 1 | 6A | 112 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": No. 9 "Nimrod" (Arr. Elgar for Piano) | Edward Elgar, Lang Lang | E♭ Major | 1 | 5B | 138 BPM | ||
Le grand cahier: VI. Le bain | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 103 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
Cello Concertino No. 1 in C Major, Op. 7: I. Allegro | Julius Klengel, Martin Rummel, Mari Kato | C Major | 2 | 8B | 129 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | A Minor | 2 | 8A | 87 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM |