百石元 made "ごり押しの理由" available on December 21, 2011. The duration of ごり押しの理由 is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. ごり押しの理由's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in 百石元's "K-ON! MOVIE ORIGINAL SOUND TRACK" album is number 5 out of 40. Based on our statistics, ごり押しの理由's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of ごり押しの理由 by 百石元 to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ひと夏の大冒険 | 三武亜紗美 | G Major | 3 | 9B | 114 BPM | ||
最強の栄光 -バトル2〜七英雄〜四魔貴族バトルメドレー from ロマンシング サ・ガ1〜3 - Orchestra Version | 伊藤賢治 | G Minor | 7 | 6A | 80 BPM | ||
Sorokyanpu no susume | Akiyuki Tateyama | C Major | 2 | 8B | 122 BPM | ||
closing the case | 梶浦 由記 | G Major | 3 | 9B | 98 BPM | ||
他愛のない日常 | Kenji Kondo | C Major | 2 | 8B | 125 BPM | ||
"Pardon ??" | 石濱 翔 | D Minor | 6 | 7A | 162 BPM | ||
月光花 -フミルィル- | AQUAPLUS | D♭ Major | 1 | 3B | 93 BPM | ||
Exceed the Limit! | Frying-Pan | C Minor | 9 | 5A | 100 BPM | ||
さあ、ここからがハイライトだ | Toshihiko Sahashi | B♭ Minor | 8 | 3A | 160 BPM | ||
朧げな現在 | 松田彬人 | F Major | 4 | 7B | 115 BPM |