Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic's 'Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato' had a release date set for January 24, 2020. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. This song is part of Via Bottesini: Concerti e pezzi concertanti by Giovanni Bottesini, Wies de Boevé. The song's track number on the album is #1 out of 8 tracks. In terms of popularity, Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato by Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato being at 102 テンポ, the half-time would be 51 テンポ with a double-time of 204 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata | Aram Khachaturian, Karine Poghosyan | A♭ Minor | 2 | 1A | 104 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Kyung Wha Chung, Phillip Moll | D Major | 2 | 10B | 107 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Messa da Requiem: Benedictus (Solo Quartet) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | A♭ Major | 0 | 4B | 90 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Kadenza | Teppo Hauta-aho, Wies de Boevé | E Minor | 0 | 9A | 78 BPM |