"Tannhäuser, WWV 70: Overture" by Richard Wagner, Berliner Philharmoniker, Claudio Abbado was released on January 1, 2003. Tannhäuser, WWV 70: Overture appears to be safe for all ages as it is not explicit. This song is part of Wagner: Orchestral Pieces from Parsifal . Tristan & Isolde . Tannhäuser by Richard Wagner, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #1 out of 8 tracks. Tannhäuser, WWV 70: Overture is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70: Overture by Richard Wagner, Berliner Philharmoniker, Claudio Abbado has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tannhäuser, WWV 70: Overture being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, (Suite), Op. 46: III. At The Seashore | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 0 | 11A | 66 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Accelerationen, Op.234 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 175 BPM | ||
Notturno For Piano, Violin And Violoncello In E Flat Major, Op. 148, D 897 | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Maximilian Hornung | B♭ Major | 0 | 6B | 129 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
The Hebrides, Op. 26, MWV P. 7 | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 73 BPM |