"Pour la danseuse aux crotales" by Anne Kaasa was released on March 28, 2011. The duration of Pour la danseuse aux crotales is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Pour la danseuse aux crotales's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anne Kaasa's "Images (oubliées), Six Epigraphes antiques, Pièces pour piano - Claude DEBUSSY" album is number 17 out of 19. Pour la danseuse aux crotales is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pour la danseuse aux crotales by Anne Kaasa to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Violin Concerto No. 2 in D Minor Op. 22: II. Romance. Andante ma non troppo | Henryk Wieniawski, Bomsori, Jacek Kaspszyk | B♭ Major | 1 | 6B | 96 BPM | ||
Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: Lieder ohne Worte (Songs without Words), Book 5, Op. 62: No. 26 in B-Flat Major, Op. 62, No. 2 | Felix Mendelssohn, Péter Nagy | B♭ Major | 2 | 6B | 96 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
18 Morceaux, Op. 72, TH 151: 5. Méditation | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy | A Major | 1 | 11B | 130 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel: Allegro moderato | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | C Minor | 2 | 5A | 88 BPM | ||
Prélude No. 25 In C Sharp Minor, Op. 45 | Frédéric Chopin, Maurizio Pollini | E Major | 0 | 12B | 104 BPM | ||
Nocturne No. 1 in E flat, Op. 33, No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Shostakovich Quartet | G Major | 0 | 9B | 106 BPM |