"Eri tu che macchiavi (Un Ballo in Maschera)" by Titta Ruffo was released on August 28, 2006. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 70 in the song's album "Titta Ruffo Edition". In this album, this song's track order is #26. Based on our statistics, Eri tu che macchiavi (Un Ballo in Maschera)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eri tu che macchiavi (Un Ballo in Maschera) by Titta Ruffo having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'italiana in Algeri / Act 1: Dite: chi è quella femmina? | Gioachino Rossini, Giuliana Tavolaccini, Miti Truccato Pace, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Paolo Montarsolo, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | C Minor | 2 | 5A | 82 BPM | ||
Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Songs of Separation: IV. We Are All the Same | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | E♭ Major | 1 | 5B | 110 BPM | ||
The Merry Widow / Act 1: Solo: I'm off to Chez Maxime... My very heavy Fatherland | Franz Lehár, Werner Krenn, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 114 BPM | ||
Molinos de Viento: Concertante | Marcos Redondo, Delfín Pulido, Felisa Herrero | E Major | 2 | 12B | 77 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Andrea Chénier: "nemico della patria" (Reg. 1920) | Umberto Giordano, Titta Ruffo | E Minor | 3 | 9A | 67 BPM | ||
L'elisir d'amore / Act II: "Qua la mano, giovinotto" | Gaetano Donizetti, Leo Nucci, Metropolitan Opera Chorus, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 133 BPM | ||
Gianni Schicchi: "Datemi il testamento!" | Giacomo Puccini, Leo Nucci, Ledo Freschi, Roberto Alagna, Eva Podles, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 1 | 3B | 121 BPM |