"Weihnachtsoratorium, BWV 248: V. Teil - Nr. 52: Rezitativ Alt "Mein Liebster herrschet schon"" by Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg was released on June 18, 2021. With Weihnachtsoratorium, BWV 248: V. Teil - Nr. 52: Rezitativ Alt "Mein Liebster herrschet schon" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 64 in Bach: Weihnachtsoratorium by Johann Sebastian Bach, Enoch zu Guttenberg, KlangVerwaltung, Chorgemeinschaft Neubeuern, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel. In terms of popularity, Weihnachtsoratorium, BWV 248: V. Teil - Nr. 52: Rezitativ Alt "Mein Liebster herrschet schon" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Weihnachtsoratorium, BWV 248: V. Teil - Nr. 52: Rezitativ Alt "Mein Liebster herrschet schon" by Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | D♭ Major | 0 | 3B | 53 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |