"Saudades do Brasil Op. 67: VIII. Tijuca" by Darius Milhaud, Leonard Bernstein, Orchestre National De France was released on 1978. The duration of Saudades do Brasil Op. 67: VIII. Tijuca is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Saudades do Brasil Op. 67: VIII. Tijuca's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Darius Milhaud, Leonard Bernstein, Orchestre National De France's "Milhaud - Orchestral Works" album is number 4 out of 6. Saudades do Brasil Op. 67: VIII. Tijuca is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saudades do Brasil Op. 67: VIII. Tijuca by Darius Milhaud, Leonard Bernstein, Orchestre National De France to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Milhaud: Sonatine for Flute and Piano, Op. 76: I. Tendre | Darius Milhaud, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 82 BPM | ||
Ibert: Jeux (Sonatine for Flute and Piano): II. Tendre | Jacques Ibert, Eric Le Sage | B Major | 1 | 1B | 80 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Bassoon Concerto: III. Rondo | Gioachino Rossini, Jaakko Luoma, Tapiola Sinfonietta | B♭ Minor | 2 | 3A | 172 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 3. Scherzo (Presto) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 2 | 10B | 120 BPM | ||
Saudades do Brasil, Op. 67: Tijuca | Darius Milhaud, Alexandre Tharaud | A Major | 1 | 11B | 77 BPM | ||
Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Clarinet Sonata No. 2 in E-Flat Major, Op. 120: I. Allegro amabile | Johannes Brahms, Jon Manasse, Jon Nakamatsu | G Minor | 0 | 6A | 73 BPM |