Francesco da Milano, Johannes Matelart, Konrad Ragossnig, Hanni Widmer's 'Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ)' came out on January 1, 1971. The duration of Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Konrad Ragossnig's "Lute, Guitar & Organ" album is number 8 out of 19. In terms of popularity, Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) by Francesco da Milano, Johannes Matelart, Konrad Ragossnig, Hanni Widmer to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
George Brabazon | Ronn McFarlane | E Major | 1 | 12B | 120 BPM | ||
Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
Varietie of Lute Lessons, 1610: Pavin No. 2. Composed by the most famous and perfect Artist Anthonie Holborne | Anthony Holborne, Matthew Wadsworth | F♯ Minor | 1 | 11A | 101 BPM | ||
Gintzler : Circumdederunt me | Heringman | D Major | 0 | 10B | 91 BPM | ||
The English Dance Master, Part I: Lull Me Beyond Thee | John Playford, Baltimore Consort | D Minor | 0 | 7A | 48 BPM | ||
De Fuenllana : Christe | Heringman | A Minor | 0 | 8A | 62 BPM | ||
Libro I d'intavolatura di lauto: Toccata No. 7 | Giovanni Girolamo Kapsberger, Konrad Junghanel | E Major | 1 | 12B | 107 BPM | ||
Lute Sonata No. 11 in D Minor: II. Allemande | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Petite Fantasie dessus l'accord du Lute (Le Roy) | Edward Martin | C Major | 0 | 8B | 94 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM |