"Sonata (Concerto) In C Major TWV 40:203, For 4 Violins Without Basso Continuo: 1. Grave" by Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger had its release date on January 1, 2002. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Telemann: Sinfonia Spirituosa; String Concertos". In this album, this song's track order is #11. Sonata (Concerto) In C Major TWV 40:203, For 4 Violins Without Basso Continuo: 1. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata (Concerto) In C Major TWV 40:203, For 4 Violins Without Basso Continuo: 1. Grave by Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major, FWV L:D1: I. (Allegro) | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 3 | 4B | 94 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana | G Minor | 1 | 6A | 50 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |