Luisa de Córdoba, Rocío Herrero, Aureo Herrero made "A la Virgen de la Paloma, De Madrid: Tonadilla por Panaderos (Vendo Nardos y Violetas)" available on May 15, 2010. The duration of A la Virgen de la Paloma, De Madrid: Tonadilla por Panaderos (Vendo Nardos y Violetas) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. A la Virgen de la Paloma, De Madrid: Tonadilla por Panaderos (Vendo Nardos y Violetas)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Ronda de Coplas a las Vírgenes Patronas". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Spain. A la Virgen de la Paloma, De Madrid: Tonadilla por Panaderos (Vendo Nardos y Violetas) is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With A la Virgen de la Paloma, De Madrid: Tonadilla por Panaderos (Vendo Nardos y Violetas) by Luisa de Córdoba, Rocío Herrero, Aureo Herrero having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Molinos de Viento: Melopea, final de la obra | Manuel Hernández, Felisa Herrero, Marcos Redondo, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
Verdiales - Remastered | Antonio Ranchal y Alvarez de Sotomayor, Pepe Martínez | D♭ Major | 2 | 3B | 173 BPM | ||
amada mia | The killer eliu | A Minor | 2 | 8A | 80 BPM | ||
Las musas latinas: Finale | Manuel Penella, Luisa de Córdoba, Mimi Aznar, Emilia Rincon, Santiago Ramalle, Eladio Cuevas, Salvador Castello, Spanish National Radio Choir, Madrid Chamber Orchestra, Enrique Navarro | D Major | 3 | 10B | 75 BPM | ||
Tango de las Pulgas | Antonio Pozo "El Mochuelo" | A♭ Major | 4 | 4B | 88 BPM | ||
Besos de Sal | Lolita Sevilla | B♭ Minor | 4 | 3A | 126 BPM | ||
Reniego - Peteneras | La Niña De La Puebla | F Major | 2 | 7B | 181 BPM | ||
La Carta (Fandangos) | Pepe Pinto | F Major | 2 | 7B | 92 BPM | ||
Lamento de Africa: Africana Soy | Orquesta De Camara De Madrid, Dolores Pérez, Luis Sagi Vela, Natalia Lombay, Luisa de Córdoba, Lauri Lazari, Manuel Esclapes | A Minor | 3 | 8A | 119 BPM | ||
La monteria: Act II: Comic Duet (Ana, Pipon) | Jacinto Guerrero, Natalia Lombay, Luisa de Córdoba, Luis Sagi Vela, Santiago Ramalle, Spain National Radio Chorus, Madrid Chamber Orchestra, Enrique Navarro Montilla | G Major | 2 | 9B | 84 BPM |