"Hiob, Kantate für Chor und Orchester: I. Chor" by Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach was released on January 1, 1998. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kammerchor der Universität Dortmund, Willi Gundlach, Martin Rost's "Hensel & Mendelssohn: Kantaten" album is number 1 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Hiob, Kantate für Chor und Orchester: I. Chor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hiob, Kantate für Chor und Orchester: I. Chor by Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Gondellied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
24 Préludes, Op. 28: No. 15 Sostenuto in D-Flat Major, C. 180 "Raindrop Prelude" | Lang Lang | D♭ Major | 0 | 3B | 134 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Andante con moto in E Major | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 111 BPM | ||
Piano Sonata No. 1 in D Minor, Op. 28: II. Lento | Sergei Rachmaninoff, Idil Biret | B♭ Major | 0 | 6B | 80 BPM | ||
5 Lieder, Op. 10 (text by J. Von Eichendorff): Bergelust [Longing for the Mountains], Op. 10, No. 5 | Fanny Mendelssohn, Christina Högman, Roland Pöntinen | A Major | 1 | 11B | 106 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |