"アヴェ・マリア(シューベルト)" by Franz Schubert, 幸田聡子, Chika Nishiwaki was released on 1999. With this song being about 5 minutes long, at 5:00, "アヴェ・マリア(シューベルト)" by Franz Schubert, 幸田聡子, Chika Nishiwaki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in バザンのロマンス〜ヴァイオリン名曲集, so we believe that "アヴェ・マリア(シューベルト)" is a single. アヴェ・マリア(シューベルト) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of アヴェ・マリア(シューベルト) by Franz Schubert, 幸田聡子, Chika Nishiwaki is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Les chemins de l'amour | フランシス・プーランク, Cocomi, 佐藤晴真, Miyuji Kaneko | D Major | 1 | 10B | 175 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
ピアノ協奏曲 第2番 ハ短調 作品18: ピアノ協奏曲 第2番 ハ短調 作品18: 第2楽章: Adagio sostenuto - ピアノ・ソロ・ヴァージョン | Shinya Kiyozuka | E Major | 1 | 12B | 107 BPM | ||
Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto | Stuttgart Piano Trio, Franz Schubert | C Minor | 0 | 5A | 100 BPM | ||
私を泣かせてください(ヘンデル/清塚信也 編) | George Frideric Handel, Shinya Kiyozuka | F Major | 0 | 7B | 68 BPM | ||
愛のあいさつ 作品12 | Edward Elgar, Mayuko Kamio | E Major | 1 | 12B | 80 BPM | ||
白鳥 | Camille Saint-Saëns, ヤーノシュ・シュタルケル, 岩崎淑 | G Major | 1 | 9B | 126 BPM | ||
ソナタ ロ短調 K.87/L.33(スカルラッティ) | Domenico Scarlatti, Shinya Kiyozuka | B Minor | 1 | 10A | 80 BPM | ||
ラヴェル:「マ・メール・ロワ」より 第4曲「美女と野獣の対話」 | Maurice Ravel, のだめカンタービレ | A Minor | 0 | 8A | 170 BPM | ||
トロイメライ Op.15-7(シューマン) | Robert Schumann, Yoko Hasegawa | D Minor | 4 | 7A | 149 BPM |