Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard's 'La traviata / Act 1: Prelude' had a release date set for January 1, 1966. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Dame Joan Sutherland, Carlo Bergonzi, Robert Merrill, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard. The song's track number on the album is #1 out of 24 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, La traviata / Act 1: Prelude is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since La traviata / Act 1: Prelude by Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 1: Prelude being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Verdi: La traviata, Act 1 Scene 5: "Ah, fors'è lui lui che I'anima" (Violetta) | Giuseppe Verdi, Maria Callas, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Franco Ghione, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa | F♯ Major | 1 | 2B | 81 BPM | ||
Nabucco / Act 1: Io t'amava! | Giuseppe Verdi, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 87 BPM | ||
Macbeth / Act I: Due vaticini compiuti or sono | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Major | 8 | 8B | 180 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Te Deum | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | F♯ Major | 0 | 2B | 137 BPM | ||
Nabucco / Act 1: Viva Nabucco! | Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Plácido Domingo, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | A Major | 3 | 11B | 79 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM |