"Strauss: Drei Lieder Der Ophelia (Op. 67 No. 1)" by Inger Dam-Jensen, Malcolm Martineau was released on January 1, 2011. The duration of Strauss: Drei Lieder Der Ophelia (Op. 67 No. 1) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Strauss: Drei Lieder Der Ophelia (Op. 67 No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #81. Based on our statistics, Strauss: Drei Lieder Der Ophelia (Op. 67 No. 1)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Drei Lieder Der Ophelia (Op. 67 No. 1) by Inger Dam-Jensen, Malcolm Martineau having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Act II: XII. Peer Gynt Pursued By the Trolls - English Version | Edvard Grieg, Orchestre de la Suisse Romande, Guillaume Tourniaire, Le Motet De Genève, Dietrich Henschel, Inger Dam-Jensen, Sophie Koch | D Major | 0 | 10B | 132 BPM | ||
The Maiden's Prayer, Op. 4 | Lang Lang | E♭ Major | 1 | 5B | 60 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 3. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 2 | 12B | 88 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | E♭ Major | 0 | 5B | 81 BPM | ||
On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |