"Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": III. Adagio: Il Sonno" by Antonio Vivaldi, Peter Whelan, La Serenissima was released on September 4, 2015. The duration of Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": III. Adagio: Il Sonno is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": III. Adagio: Il Sonno's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Four Seasons & Concertos for Bassoon and Violin "in tromba marina"". In this album, this song's track order is #15. Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": III. Adagio: Il Sonno is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": III. Adagio: Il Sonno by Antonio Vivaldi, Peter Whelan, La Serenissima having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Caprices, Op.1 (2000 - Remaster): No. 14 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 2 | 5B | 99 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | ||
Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde | E Minor | 0 | 9A | 92 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Flute Concerto in G major: 2. Arioso | Johann Joachim Quantz, Jean-Pierre Rampal, Antiqua Musica Orchestra, Jacques Roussel | G Minor | 1 | 6A | 79 BPM | ||
The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM |