"13 Gammalsvenska Wijsor: Du hiratans trost och lilia" by Sigurd von Koch, Olle Persson, Bengt-Åke Lundin was released on May 1, 2011. The duration of 13 Gammalsvenska Wijsor: Du hiratans trost och lilia is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. 13 Gammalsvenska Wijsor: Du hiratans trost och lilia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Svenska Romanser, Vol. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. In terms of popularity, 13 Gammalsvenska Wijsor: Du hiratans trost och lilia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 13 Gammalsvenska Wijsor: Du hiratans trost och lilia by Sigurd von Koch, Olle Persson, Bengt-Åke Lundin having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 6 in E-Flat Major, D. 950: Credo: Credo in unum Deum | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 0 | 5B | 0 BPM | ||
Lydia, Op. 4 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | G Major | 0 | 9B | 68 BPM | ||
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: I. Rede, Mädchen, allzu liebes | Johannes Brahms, Camillo Radicke, Marlis Petersen, Werner Güra, Konrad Jarnot, Christoph Berner, Stella Doufexis | E Major | 2 | 12B | 94 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Anda-Louise Bogza, Ladislava Vondráčková | A♭ Major | 1 | 4B | 89 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
Petite pièce, L. 120 | Claude Debussy, Michael Collins, Michael McHale | F Major | 1 | 7B | 113 BPM |