Niccolò Paganini, Scott St. John, Simon Wynberg made "Sonata for Violin and Guitar in D Major, Op. 3, No. 3, MS 27: I. Andante sostenuto" available on May 27, 1994. The duration of Sonata for Violin and Guitar in D Major, Op. 3, No. 3, MS 27: I. Andante sostenuto is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Sonata for Violin and Guitar in D Major, Op. 3, No. 3, MS 27: I. Andante sostenuto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Paganini: Music for Violin and Guitar, Vol. 1". In this album, this song's track order is #8. Based on our statistics, Sonata for Violin and Guitar in D Major, Op. 3, No. 3, MS 27: I. Andante sostenuto's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonata for Violin and Guitar in D Major, Op. 3, No. 3, MS 27: I. Andante sostenuto by Niccolò Paganini, Scott St. John, Simon Wynberg having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Five pieces for Two Violins and Piano: IV. Waltz- Tempo di Valse. Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | G Minor | 0 | 6A | 140 BPM | ||
Souvenir de Hapsal, Op. 2: III. Chant sans paroles in F Major. Allegretto grazioso e cantabile | Pyotr Ilyich Tchaikovsky, Anton Nel, Mela Tenenbaum | F Major | 1 | 7B | 145 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM |