"Albinoni: Concerto a cinque in F Major, Op. 10 No. 10: II. Larghetto" by Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti was released on 1970. The duration of Albinoni: Concerto a cinque in F Major, Op. 10 No. 10: II. Larghetto is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Albinoni: Concerto a cinque in F Major, Op. 10 No. 10: II. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Albinoni: Concerto a cinque in F Major, Op. 10 No. 10: II. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Concerto a cinque in F Major, Op. 10 No. 10: II. Larghetto by Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 7 in D Major, Op. 6: V. Vivace | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 109 BPM | ||
Concerto in D Minor for Violin, RV 235: II. Adagio | Antonio Vivaldi, Giuliano Carmignola, Andrea Marcon, Venice Baroque Orchestra | B♭ Major | 0 | 6B | 133 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini | C Minor | 0 | 5A | 86 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Concerto a 5 in C, Op. 7, No. 12 for Oboe, Strings and Continuo: 3. Allegro | Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop | C Major | 3 | 8B | 116 BPM | ||
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): I . Air pour les guerriers portans les Drapeaux | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 85 BPM | ||
Cello Concerto in G Major, RV 415: II. Siciliana | Musici di San Marco & Alberto Lizzio | D♭ Major | 0 | 3B | 81 BPM | ||
Symphonie Nr. 104 D-Dur " Dudelsack " - Adagio-Allegro | Musici di San Marco, Alberto Lizzio | D Major | 2 | 10B | 125 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 99 BPM |