"Requiem in B-Flat Major, MH 838: XI. Sanctus" by Michael Haydn, Lydia Teuscher, Manami Kusano, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun was released on July 1, 2006. With Requiem in B-Flat Major, MH 838: XI. Sanctus being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lydia Teuscher, Manami Kusano, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun's "Haydn: Requiem in B-Flat Major, MH 838" album is number 11 out of 19. On top of that, Germany appears to be the country where this track was created. Requiem in B-Flat Major, MH 838: XI. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in B-Flat Major, MH 838: XI. Sanctus by Michael Haydn, Lydia Teuscher, Manami Kusano, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Psalm 115, Op. 31, MWV A9 (Sung in Latin): Non nobis Domine | Felix Mendelssohn, Bavarian Radio Chorus, Munich Radio Orchestra, Howard Arman | G Major | 1 | 9B | 88 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: III. Benedictus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 70 BPM | ||
Gloria: Gratias agimus tibi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 3 | 5B | 80 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Agnus Dei et Communio | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 86 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Beatus vir, SV 268 | Claudio Monteverdi, The Cambridge Singers, La Nuova Musica, John Rutter, Amy Haworth, Amy Moore, Thomas Hobbs, Ben Breakwell, James Holliday | C Major | 1 | 8B | 99 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM |