See-Saw's 'あんなに一緒だったのに' came out on 2003. With this song being about 5 minutes long, at 4:49, "あんなに一緒だったのに" by See-Saw is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 13 in Dream Field by See-Saw. Based on our statistics, あんなに一緒だったのに's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of あんなに一緒だったのに by See-Saw is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fields of hope | Lacus Clyne (CV: Rie Tanaka) | E♭ Major | 4 | 5B | 146 BPM | ||
Strobe Memory | Maaya Uchida | D♭ Minor | 9 | 12A | 142 BPM | ||
THERE IS A REASON | Konomi Suzuki | F♯ Minor | 8 | 11A | 134 BPM | ||
茜さす | Aimer | F♯ Major | 7 | 2B | 74 BPM | ||
Song 4 u | Ayumi Hamasaki | D Major | 9 | 10B | 128 BPM | ||
INNOCENCE | Eir Aoi | D♭ Minor | 9 | 12A | 183 BPM | ||
Can Do | GRANRODEO | A Major | 10 | 11B | 100 BPM | ||
ライオン -May'n Ver.- | May'n | A Minor | 9 | 8A | 145 BPM | ||
ring your bell | Kalafina | B Major | 9 | 1B | 83 BPM | ||
Reason | Nami Tamaki | A♭ Major | 10 | 4B | 130 BPM |