"Farewell Ice" by Helen Habershon, John Lenehan had its release date on July 19, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 11 in Found in Winter: Works by Helen Habershon by Helen Habershon, Various Artists, Anthony Halstead. In terms of popularity, Farewell Ice is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Farewell Ice by Helen Habershon, John Lenehan is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clouds | John Lenehan, Helen Habershon | A Minor | 0 | 8A | 72 BPM | ||
Flute Quartet in D Major, K. 285: II. Adagio – | Wolfgang Amadeus Mozart, Marc Grauwels, Brussels Virtuosi | G Major | 1 | 9B | 178 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Une vie d'amour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Fire of My Games | Sibille Crawford, Neon Lilith, Emily James | D♭ Minor | 2 | 12A | 60 BPM | ||
Path at Sunrise, Masses of Flowers | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | D Minor | 1 | 7A | 85 BPM | ||
Lim Fantasy of Companionship for Piano and Orchestra, Act 4: Synthetic DNA | Manu Martin, Joi Barua, Susan Lim, London Symphony Orchestra, Arthur Fagen, London Voices, Tedd Joselson | C Major | 4 | 8B | 124 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique" (Arr. Janoska Ensemble): II. Adagio cantabile | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM |