"The Well-Tempered Clavier, Book I: Prelude No. 1 in C Major, BWV 846" by Johann Sebastian Bach, Martin Stadtfeld was released on January 23, 2009. The duration of The Well-Tempered Clavier, Book I: Prelude No. 1 in C Major, BWV 846 is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Well-Tempered Clavier, Book I: Prelude No. 1 in C Major, BWV 846's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 48 in Bach: The Well-Tempered Piano I by Johann Sebastian Bach, Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Well-Tempered Clavier, Book I: Prelude No. 1 in C Major, BWV 846 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Well-Tempered Clavier, Book I: Prelude No. 1 in C Major, BWV 846 by Johann Sebastian Bach, Martin Stadtfeld is Lento (slowly), since this song has a tempo of 58 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Je te veux | Erik Satie, Axel Gillison | G Major | 0 | 9B | 102 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 0 | 9B | 175 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM | ||
Mendelssohn: Songs Without Words, Book I, Op. 19b: No. 1, Andante con moto, MWV U86 | Felix Mendelssohn, Daniel Adni | B Major | 0 | 1B | 130 BPM | ||
Suite No. 6 in D Major, BWV 1012 (Arr. for Piano by Thomas Jarry): IV. Sarabande | Johann Sebastian Bach, Thomas Jarry | D Major | 2 | 10B | 118 BPM |