Johannes Brahms, Laurent Korcia made "Danse Hongroise N°1 en Sol Mineur" available on September 21, 2004. The duration of Danse Hongroise N°1 en Sol Mineur is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Danse Hongroise N°1 en Sol Mineur's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Danses by Laurent Korcia. Based on our statistics, Danse Hongroise N°1 en Sol Mineur's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Danse Hongroise N°1 en Sol Mineur by Johannes Brahms, Laurent Korcia is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valsa-Choro no.11 | Clelia Iruzun | A♭ Minor | 0 | 1A | 72 BPM | ||
Danzón No. 2: Danzon No. 2 (Live) | Arturo Márquez, Singapore Symphony Orchestra, Lan Shui | D Minor | 2 | 7A | 107 BPM | ||
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein | C Major | 4 | 8B | 108 BPM | ||
Five pieces for Two Violins and Piano: IV. Waltz- Tempo di Valse. Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | G Minor | 0 | 6A | 140 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto (Excerpt) | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
Les copains d’abord | Gautier Capuçon, Jerome Ducros | D Major | 1 | 10B | 92 BPM | ||
2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 99 BPM |