"Sånger å de Osjungnas Vägnar: I. Öppning: I" by Per Egland, Christian Lindberg, Wermland Opera Orchestra was released on March 26, 2024. With Sånger å de Osjungnas Vägnar: I. Öppning: I being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vermland Opera Orchestra: In Focus by Per Egland, Wermland Opera Orchestra, Christian Lindberg. The song's track number on the album is #1 out of 21 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Sånger å de Osjungnas Vägnar: I. Öppning: I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sånger å de Osjungnas Vägnar: I. Öppning: I by Per Egland, Christian Lindberg, Wermland Opera Orchestra has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sånger å de Osjungnas Vägnar: I. Öppning: I being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): VIII | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Messiaen: Éclairs sur l'au-delà...: II. La constellation du Sagittaire | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 69 BPM | ||
Piece in E-Flat Minor | Guy Ropartz, Christian Lindberg, Roland Pöntinen | E♭ Minor | 1 | 2A | 71 BPM | ||
Sakura (Kirschblüte) for Orchestra | Toshio Hosokawa, Residentie Orkest The Hague, Jun Markl | A Minor | 1 | 8A | 91 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: V | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
LAPUTA: Castle in the Sky LAPUTA: Castle in the Sky | Nobuaki Fukukawa, Japan Horn Sound | F Minor | 1 | 4A | 99 BPM | ||
交響曲第3番 作品89 - 第4楽章 Finale. Allegro Giocoso | James Barnes, Yutaka Sado, Siena Wind Orchestra | G Major | 6 | 9B | 116 BPM | ||
Trombone Concerto No. 2, "Don Quijote": Introduction | Jan Sandström, Christian Lindberg, Lahti Symphony Orchestra, Osmo Vänskä | F Major | 1 | 7B | 92 BPM |