Terry Riley, Kronos Quartet's 'Cadenza on the Night Plain: Cadenza: Violin I' came out on June 16, 2015. The duration of Cadenza on the Night Plain: Cadenza: Violin I is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Cadenza on the Night Plain: Cadenza: Violin I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Sunrise of the Planetary Dream Collector". In this album, this song's track order is #7. In terms of popularity, Cadenza on the Night Plain: Cadenza: Violin I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cadenza on the Night Plain: Cadenza: Violin I by Terry Riley, Kronos Quartet having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
World Rhythms | Annea Lockwood | G Major | 4 | 9B | 108 BPM | ||
Cells 14-16 | Terry Riley, Brooklyn Raga Massive | G Major | 7 | 9B | 109 BPM | ||
China Gates | John Adams, Ralph van Raat | B Major | 1 | 1B | 145 BPM | ||
Kol Nidre | John Zorn, Quatuor Molinari | F♯ Minor | 1 | 11A | 147 BPM | ||
Schöne Hände | Cluster, Eno | B Major | 2 | 1B | 105 BPM | ||
Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM | ||
Cells 17-21 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
In C: VIII. Part 8 | Terry Riley, Jeroen van Veen | E Minor | 5 | 9A | 123 BPM | ||
2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic | Harry Partch, Just Strings, John Schneider, Amy Shulman | G Minor | 1 | 6A | 117 BPM |