"This Day Is the Day: English Adaption of the Haec Dies" by Gregorian Chant Schola of Saint Meinrad Archabbey was released on January 1, 2001. The duration of This Day Is the Day: English Adaption of the Haec Dies is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. This Day Is the Day: English Adaption of the Haec Dies's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gregorian Chant Schola of Saint Meinrad Archabbey's "Gregorian Chant for Lent & Easter" album is number 18 out of 24. This Day Is the Day: English Adaption of the Haec Dies is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of This Day Is the Day: English Adaption of the Haec Dies by Gregorian Chant Schola of Saint Meinrad Archabbey to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tempo Dell'Umiliazione E Della Morte. Antifona D'Ingresso: Nos Autem | Canonici Regolari Si Sant'Antimo | F♯ Minor | 0 | 11A | 77 BPM | ||
Dominica Resurrectionis: IV. Offertorium (Terra tremuit) | Gregorian Chants, Karel Frana, Boni Puncti | B♭ Minor | 5 | 3A | 130 BPM | ||
4ème dimanche de Pâques: Séquence: Salve dies dierum | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard | F Major | 1 | 7B | 104 BPM | ||
Messe 'Salus Autem': Gloria XV | Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan | B Major | 0 | 1B | 124 BPM | ||
Andreae Apostoli | Pro Cantione Antiqua, Mark Brown | A Minor | 1 | 8A | 131 BPM | ||
Cantus Missarum: Ingressa: Respice in me | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | B♭ Major | 1 | 6B | 78 BPM | ||
Gradual: Laetatus sum | Anon, The Monks of Pluscarden Abbey | F Minor | 2 | 4A | 65 BPM | ||
Yo Soy de Dios | Monjes Del Monasterio De San Pedro | A Major | 3 | 11B | 132 BPM | ||
Int. Viri Gallilaei | The Benedictine Nuns of St. Cecilia's Abbey | A♭ Major | 2 | 4B | 137 BPM | ||
Dominica Pentecostes: I. Introitus (Spiritus Domini) | Gregorian Chants, Karel Frana, Boni Puncti | B♭ Major | 2 | 6B | 118 BPM |