"Concerto For Tuba And Wind Orchestra: II. Aria" by The University of Illinois Symphonic Band was released on January 1, 2012. The duration of Concerto For Tuba And Wind Orchestra: II. Aria is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Concerto For Tuba And Wind Orchestra: II. Aria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "University of Illinois Symphonic Recording #131". In this album, this song's track order is #12. Concerto For Tuba And Wind Orchestra: II. Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto For Tuba And Wind Orchestra: II. Aria by The University of Illinois Symphonic Band having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lauds, "Praise High Day" | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | A Minor | 2 | 8A | 154 BPM | ||
Golden Friendships | Henry Fillmore, The University of Illinois Symphonic Band, Dr. Harry Begian | A♭ Major | 1 | 4B | 78 BPM | ||
The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | ||
Symphony for Band: I. Movement I | Jerry H. Bilik, The University of Illinois Symphonic Band, Dr. Harry Begian | G Major | 2 | 9B | 131 BPM | ||
Satiric Dances: III. Allegro spumante | Norman Dello Joio, Rutgers Wind Ensemble, William Berz | C Minor | 4 | 5A | 150 BPM | ||
Cyrus the Great | Karl Lawrence King, The University of Illinois Symphonic Band, Dr. Harry Begian | F Minor | 5 | 4A | 125 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Suite française : V. Provence | Gérard Besse, Big Band des équipages de la flotte de Toulon, Denis Fourio | G Major | 2 | 9B | 134 BPM | ||
Southern Harmony: II. Wondrous Love | Donald Grantham, Ohio State University Wind Symphony, Russel C. Mikkelson | F Minor | 0 | 4A | 63 BPM | ||
Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold | Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani | G Minor | 2 | 6A | 78 BPM |