Coros Cantores De Madrid, Pilar Lorengar, Manuel Ausensi, Carlos Munguia, A. Díaz Martos made "Molinos de Viento: Concertante (final primer cuadro) - Capitán Alberto, Margarita, Romo y coro de hombres" available on May 15, 2006. Molinos de Viento: Concertante (final primer cuadro) - Capitán Alberto, Margarita, Romo y coro de hombres is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Various Artists's "La Zarzuela: Molinos de Viento" album is number 6 out of 8. Based on our statistics, Molinos de Viento: Concertante (final primer cuadro) - Capitán Alberto, Margarita, Romo y coro de hombres's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Molinos de Viento: Concertante (final primer cuadro) - Capitán Alberto, Margarita, Romo y coro de hombres by Coros Cantores De Madrid, Pilar Lorengar, Manuel Ausensi, Carlos Munguia, A. Díaz Martos to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vito (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | C Major | 4 | 8B | 113 BPM | ||
Tiene la Jota Más Aire / El Tirar Es Cobardía (feat. Rondalla) | José Oto, Rondalla | C Major | 3 | 8B | 91 BPM | ||
La Verbena de la Paloma: Coplas de Don Hilarion | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | B♭ Major | 2 | 6B | 132 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
España cañí (Pasodoble) | Lucero Tena | A Major | 4 | 11B | 110 BPM | ||
Rosa de Madrid (Chotís) | Gran Orquesta Sinfonica | C Major | 3 | 8B | 95 BPM | ||
Churumbelerías | Pasodobles Toreros | C Major | 3 | 8B | 99 BPM | ||
Con las Bombas Que Tiran | Lolita Sevilla | A Major | 4 | 11B | 118 BPM | ||
La Boda de Luis Alonso: "Intermedio" | Rafael Frühbeck de Burgos | A Major | 5 | 11B | 111 BPM | ||
La Rosa de Capuchinos (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | D Major | 3 | 10B | 109 BPM |