George Gershwin, Simon Tedeschi's 'Preludes for Piano: Novelette In Fourths' came out on November 1, 2013. The duration of Preludes for Piano: Novelette In Fourths is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Preludes for Piano: Novelette In Fourths's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Gershwin, Simon Tedeschi's "Gershwin: Take Two" album is number 2 out of 21. Preludes for Piano: Novelette In Fourths is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Preludes for Piano: Novelette In Fourths by George Gershwin, Simon Tedeschi to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gershwin: Gershwin Songbook: No. 8, The Man I Love | George Gershwin, Martin James Bartlett | C Minor | 3 | 5A | 98 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 144 BPM | ||
Reverie | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 68 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Three Piano Preludes: II. No. 2 | Frederick Delius, Eric Parkin | F♯ Minor | 1 | 11A | 73 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
Three-Quarter Blues: Andante con moto | George Gershwin, Frank Braley | C Major | 0 | 8B | 91 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |