"Once in royal David's city (Arr. David Willcocks, Desc. Stephen Cleobury)" by Henry John Gauntlett, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin, Samuel Hodson was released on November 5, 2021. With this song being about 5 minutes long, at 5:06, "Once in royal David's city (Arr. David Willcocks, Desc. Stephen Cleobury)" by Henry John Gauntlett, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin, Samuel Hodson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Choir of King's College, Cambridge, Daniel Hyde's "In the Bleak Midwinter: Christmas Carols from King's" album is number 1 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Once in royal David's city (Arr. David Willcocks, Desc. Stephen Cleobury) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Once in royal David's city (Arr. David Willcocks, Desc. Stephen Cleobury) by Henry John Gauntlett, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin, Samuel Hodson to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ ist erstanden | Hans Leo Hassler, Mainzer Domchor, Mainzer Dombläser, Karsten Storck | E Minor | 1 | 9A | 99 BPM | ||
Segalariak | Phoenix Chamber Choir, Josu Elberdin | F Major | 2 | 7B | 118 BPM | ||
Simple Gifts | Aaron Copland, David L. Brunner, National Youth Choir of Scotland, Royal Scottish National Orchestra, Christopher Bell | A♭ Major | 1 | 4B | 133 BPM | ||
Eternal Father, Strong to Save | Huddersfield Choral Society | G Major | 1 | 9B | 108 BPM | ||
Nicaea "Holy, Holy, Holy! Lord God Almighty!" | John Bacchus Dykes, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | D Major | 0 | 10B | 92 BPM | ||
Christ Our Emmanuel | The Cambridge Singers, Royal Philharmonic Orchestra, John Rutter | D Minor | 0 | 7A | 73 BPM | ||
Nunc dimittis in A Major | Herbert Sumsion, Chichester Cathedral Choir, James Thomas, Alan Thurlow | F♯ Minor | 1 | 11A | 69 BPM | ||
Requiem, Op. 9: VII. Lux aeterna | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
Northern Lights | Ēriks Ešenvalds, Stephen Layton, The Choir Of Trinity College, Cambridge | C Minor | 1 | 5A | 176 BPM | ||
Pat-a-Pan | Young Women's Chorus of San Francisco | A Minor | 1 | 8A | 87 BPM |