"Vocalise, Op. 34, No. 14" by Sergei Rachmaninoff, Südwestdeutsches Kammerorchester Pforzheim, Patrick Gallois, Emmanuel Krivine was released on January 1, 2001. The duration of Vocalise, Op. 34, No. 14 is about 3 minutes long, at 3:22. Based on our data, "Vocalise, Op. 34, No. 14" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Yellow Lounge by Yellow Lounge. The song's track number on the album is #2 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Vocalise, Op. 34, No. 14 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Südwestdeutsches Kammerorchester Pforzheim, Patrick Gallois, Emmanuel Krivine has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vocalise, Op. 34, No. 14 being at 90 テンポ, the half-time would be 45 テンポ with a double-time of 180 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Vocalise, Op. 34,14 (Bearb. For Violoncello and Piano): Lentamente | Sergei Rachmaninoff, Markus Stockler, Viktor Yampolsky | E Major | 1 | 12B | 163 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D Major, RV 93: II. Largo | Antonio Vivaldi, Göran Söllscher, Camerata Bern, Thomas Füri | D Major | 0 | 10B | 116 BPM | ||
Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | ||
Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Alberto Lizzio, Philharmonia Slavonica | D Major | 1 | 10B | 92 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Henrik Måwe | E Major | 0 | 12B | 72 BPM | ||
Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink | A Major | 0 | 11B | 69 BPM |