Wolfgang Amadeus Mozart, Moscow Chamber Orchestra, Constantine Orbelian's 'Divertimento in F Major, K. 138, "Salzburg Symphony No. 3": II. Andante' came out on January 1, 1999. Divertimento in F Major, K. 138, "Salzburg Symphony No. 3": II. Andante is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Constantine Orbelian's "Mozart, W.A.: Adagios" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Divertimento in F Major, K. 138, "Salzburg Symphony No. 3": II. Andante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Divertimento in F Major, K. 138, "Salzburg Symphony No. 3": II. Andante by Wolfgang Amadeus Mozart, Moscow Chamber Orchestra, Constantine Orbelian to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | D Major | 1 | 10B | 96 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | G Minor | 2 | 6A | 137 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM |