Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt made "Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio" available on 2006. With Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 24 in Albinoni: Oboe Concertos by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio by Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon And Gigue In D Major, P 37: 2. Gigue | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Major | 2 | 11B | 61 BPM | ||
Oboe Concerto in D Major, TrV 292: I. Allegro moderato | Richard Strauss, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss Jansons | B♭ Major | 1 | 6B | 93 BPM | ||
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Suite No. 1 in C, BWV 1066: 5. Menuet I-II | Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 4 | 11B | 117 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 6 : V. Allegro | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 1 | 7B | 152 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Flute Concerto No. 1 in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | G Major | 2 | 9B | 117 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto for Oboe and String Orchestra in D Minor, Op. 9 No. 2: III. Allegro | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Linda di Carlo | F Major | 1 | 7B | 154 BPM |