"Gianni Schicchi: "Ai miei cugioni Zita e Simone"" by Giacomo Puccini, Eva Podles, Enrico Fissore, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti had its release date on January 1, 1994. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Gianni Schicchi: "Ai miei cugioni Zita e Simone"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Puccini: Gianni Schicchi". In this album, this song's track order is #3. In terms of popularity, Gianni Schicchi: "Ai miei cugioni Zita e Simone" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gianni Schicchi: "Ai miei cugioni Zita e Simone" by Giacomo Puccini, Eva Podles, Enrico Fissore, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 2: "A festeggiar le nozze illustri" (Normanno, Enrico) | Gaetano Donizetti, Tullio Serafin, Gino Sarri, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | D Major | 2 | 10B | 40 BPM | ||
Adriana Lecouvreur, Act II: Act II: Adriana, ascoltate | Francesco Cilea, Magda Olivero, Alberto Cupido, Marta Moretto, Orazio Mori, Carmelina Gandolfo | G Minor | 0 | 6A | 84 BPM | ||
Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Giorgio Giorgetti, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | G Major | 1 | 9B | 104 BPM | ||
Carmen / Act 3: Carreau! Pique! ...La Mort! | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 119 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Oh! di qual sei tu vittima ".."Oh! qual traspare orribile".."Norma! de’ tuoi rimproveri" | Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 3 | 6B | 171 BPM | ||
Andrea Chénier / Act 2: Per l'ex inferno! | Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 5 | 9B | 113 BPM | ||
Suor Angelica: Ah, son dannata! | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Turandot / Act 1: Popolo di Pechino! (Un Mandarino, Coro) | Giacomo Puccini, Siegmund Nimsgern, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B♭ Minor | 2 | 3A | 82 BPM | ||
Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice) | Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 3 | 11B | 108 BPM | ||
Tosca: Ricondita Armonia | Slovak Radio Symphony Orchestra, Peter Dvorsky, Giuseppe Giacosa, Giacomo Puccini, Luigi Illica | F Major | 2 | 7B | 82 BPM |