Miki Imai made "地上に降りるまでの夜" available on June 21, 1989. 地上に降りるまでの夜 is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Miki Imai's "MOCHA under a full moon" album is number 9 out of 9. The popularity of 地上に降りるまでの夜 is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 地上に降りるまでの夜 by Miki Imai to be Vivace (lively and fast) because the track has a tempo of 160 テンポ, a half-time of 80テンポ, and a double-time of 320 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
砂の城 | Yuki Saito | G Major | 8 | 9B | 117 BPM | ||
悲しい夜の過ごし方 | paris match | B Major | 4 | 1B | 136 BPM | ||
Rain | Senri Oe | A Major | 8 | 11B | 96 BPM | ||
プライマル | Original Love | G Major | 5 | 9B | 95 BPM | ||
retour | Miki Imai | A Minor | 6 | 8A | 101 BPM | ||
夢の跡 | Kozo Murashita | G Minor | 3 | 6A | 106 BPM | ||
Amaku Kikenna Kaori | Original Love | D♭ Major | 8 | 3B | 90 BPM | ||
幸せになるために | 中山美穂 | B♭ Major | 2 | 6B | 97 BPM | ||
笑顔で愛してる -Single Version- | Tomoko Tane | E Major | 9 | 12B | 114 BPM | ||
夏の日の午後 | Takako Okamura | B Major | 6 | 1B | 109 BPM |