Sergei Rachmaninoff, Daniil Trifonov made "Variations On A Theme Of Corelli, Op. 42: Variation No. 20 Più mosso" available on August 28, 2015. With Variations On A Theme Of Corelli, Op. 42: Variation No. 20 Più mosso being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 73 in the song's album "Rachmaninov Variations". In this album, this song's track order is #72. Furthermore, we believe that the track originated from Germany. Based on our statistics, Variations On A Theme Of Corelli, Op. 42: Variation No. 20 Più mosso's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Variations On A Theme Of Corelli, Op. 42: Variation No. 20 Più mosso by Sergei Rachmaninoff, Daniil Trifonov having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Variations On A Theme By Paganini, Op.35 / Book 2: Variation XII: Un poco Andante | Johannes Brahms, Yuja Wang | F Major | 0 | 7B | 71 BPM | ||
Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Olli Mustonen, Joshua Bell, Steven Isserlis | E Minor | 0 | 9A | 91 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: 3. Allegro con fuoco | Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F Major | 0 | 7B | 107 BPM | ||
Variations On A Theme Of Chopin, Op.22: Tema | Sergei Rachmaninoff, Daniil Trifonov | C Minor | 0 | 5A | 172 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |